Vision
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TV Logic LUM-242H Monitor
The LUM-242H is a 24 inch monitor with UHD resolution (3840 x 2160), high luminance up to 1,000cd/㎡, a 10-bit color depth, high contrast ratio of 1,000 : 1 and wide viewing angle. The LUM-242H supports various standard color gamuts including 90% DCI-P3 coverage. It supports 12G-SDI signal with 4 BNC input connectors (2 for 12G-SDI and 2 for 3G-SDI) and an HDMI 2.0 input.

Aja FS-HDR Converter
FS-HDR, a 1RU, rackmount, universal converter/frame synchronizer, is designed specifically to meet the High Dynamic Range (HDR) and Wide Color Gamut (WCG) needs of broadcast, OTT, production, post, and live event AV environments, where real time, low latency processing and color fidelity is required for 4K/UltraHD and 2K/HD workflows. Developed in partnership with Colorfront, the FS-HDR’s HDR/WCG functionality is powered by Colorfront Engine™ proprietary video processing algorithms.
In Single Channel Mode, FS-HDR also serves as a full, 1-Channel up, down, cross-converter for 4K/UltraHD/2K/HD HDR/WCG transformation. In 4-Channel Mode, FS-HDR offers 4 independent channels of 2K/HD HDR/WCG transformations as well as up, down, and cross conversions.

Bon BSM-183H High Bright Monitor
Designed for shooting outdoors and in other brightly lit conditions, the BON BSM-183H 18.5" 3G/SD-SDI & HDMI High Brightness Field Monitor features a 1200 cd/m² daylight-viewable LCD screen. The high brightness preserves contrast and prevents the on-screen image from getting washed out. The 1366 x 768 LED-backlit LCD panel can display SD and HD signals from any of the HDMI, DVI, or analog video inputs. The two 3G-SDI inputs can handle up to 2K resolutions. SDI and analog looped outputs can be used to further route the incoming video. Onboard monitoring tools include waveform, vectorscope, and exposure range check for analyzing incoming video signals and adjusting exposure.

Sony HDRC-4000 Converter
The HDRC-4000 HDR production converter unit provides simultaneous real-time streams for multi-purpose 4K HDR (High Dynamic Range) live production as part of powerful Sony SR Live for HDR workflows. The unit can output a variety of video signals, including 4K HDR (S-Log3, BT.2020), HD HDR, 4K SDR and HD SDR, without loss. The compact 1.5RU chassis is ideal for operation in an outside broadcast environment. The AIR (Artistic Intent Rendering) Matching function faithfully retains the producer’s artistic intent to any distribution format while achieving greater workflow efficiency. The unit can also be controlled by the MSU-1000/1500 and RCP-1500 series remote controllers.
Real-time conversion of both 4K HDR and HD HDR
AIR Matching function to retain artistic intent across distribution platforms
Enables powerful SR Live for HDR workflows
PRODUCT MANUAL

Ereca Stageracer 2
The Stage Racer 2 is a complete optical fiber transmission solution for every broadcast event ranging from simple OB interconnect to complex star, ring or linear topology spread over a whole TV compound. Remote production capacity also allows the exchange of content with distant locations.
The Stage Racer 2 is designed to accept all kinds of signals on the same device without external adapter.
Internally those signals can be grouped/routed/distributed to all other machines of the network.
Only 2 fibers connected directly on the unit are needed to get full transport capacity.
The Stage Racer 2 also offers processing capabilities with Frame buffering, Audio Embedding/Deembedding, Audio SRC and much more….
The Stage Racer 2 setup is provided with an easy to use web interface or with automation systems (VSM…)
Each unit is capable of transmitting a comprehensive set of signals as follows:
16 SD to 3G bidirectional ports (direction configurable)
8 SD to 12G bidirectional ports (direction configurable)
1 Distributed Genlock (Composite video / Black burst / Tri-level)
16 Bidirectional analog audio for intercom or programme
2 Ethernet 10/100/1000Mbs
2 Data RS 232/422/485
8 Contact closures
4 AES 3 bidirectional (intercom panel compatible)
1 Bidirectional MADI (AES10) Signal (Shared with 2 of the 4 AES connectors)
1 Built in Dante / AES67 audio port with 64 channels support.

Riedel Micron 80G
MicroN is an 80G media distribution network device for Riedel’s MediorNet line of media transport and management solutions.
Working seamlessly with the MediorNet MetroN core fiber router, MicroN is a high-density signal interface with a complete array of audio, video, and data inputs and outputs, including 12 SD/HD/3G-SDI inputs and 12 SD/HD/3G-SDI outputs, two MADI optical digital audio ports, a Gigabit Ethernet port, two sync reference I/Os, and eight 10G MediorNet Links (4.25 capable). MicroN is available as a fully networked MediorNet device, as well as in a point-to-point edition at a very competitive price point.
In just 1RU, MicroN offers a highly versatile signal interface that can be used in productions of every size and complexity. For the largest media networks built on MediorNet transport devices, MicroN can serve as a breakout box for a MetroN router and extend connectivity beyond the fiber I/Os to any type of video and audio I/O required. Or, MicroN can simply work with a MetroN router, with other MicroN units, or in a standalone point-to-point configuration to provide an economical solution for small- to medium-sized productions. And, like the other MediorNet devices, MicroN has powerful built-in signal processing features that eliminate the need for many external devices.
Because of the Micron's versatility it is a suitable alternative to a Lawo V PRO 8.
Standalone Mode as a 12x12 Router and audio embedder/de-embedder
Point-to-point functionality, 12 bi-dir SDI I/Os, two MADI I/Os, Gigabit Ethernet
Meshed Network functionality as router replacement
Router functionality including MetroN and MicroN
PRODUCT MANUAL

Ereca Stage Racer
The Stage Racer product line is an ultra flexible solution to connect a stage to an OB VAN.
With the ERECA unique feature for on the fly direction configurable 3G-SDI channels and the numerous commodities signal transmitted along the videos, the stage racer is the product of choice for an affordable fast and easy event deployment.
All our Stage Racers are built in to bespoke 6U racks to utilise all signal functionality.
The equipment assumes transmission of a comprehensive set of signals as follows:
8 or 12 x video 3G / HD / SDI signals (direction configurable through built in web server),
1 x Genlock bidirectional (PAL image / Black burst / Tri-level),
16 x analog audio for intercom or broadcasting,
8 x Microphone pre-amp blocks
2 x Ethernet 10/100/1000Mbs (1 Gigabit trunk with 2 VLANS),
4 x Data RS 232/422/485,
8 x Contact closures.
4 x AES 3 bidirectional (Riedel panel compatible)
1 x bidirectional MADI (AES10) Signal (Shared with 2 of the 4 AES connectors).
For flexible setup the mechanical is declined in a 1U rack which fits everywhere and in a very rugged compact die cast aluminum box. This latter enclosure ensures excellent shock/drop protection along with dust and water resistant capacity for all “no fly case” applications. Links can be built between racks, rugged boxes or rack and rugged box.
All the signals are transmitted on 2 singlemode fibers. As an option, an optical cable failover is built inside the modules by adding a second connector. In case of fiber break the equipment automatically select the other cable.
PRODUCT MANUAL

Blackmagic 12G Dual Channel
Blackmagic Design Mini Converter Optical Fibre 12G - Bi-Directional SDI to Optical Fibre
Mini Converter Optical Fibre 12G converts SDI to optical fiber and optical fibre to SDI in both directions at the same time, you can even have different video standards going in each direction. The 12G‑SDI connections are multi rate, which makes it compatible with all SD, HD and Ultra HD formats and equipment up to 2160p60, including Level A and B devices. You can install any standard 3G, 6G or 12G‑SDI SFP optical fibre module so you can send SDI using the same low cost optical fiber cables that are commonly used for computer networks.

Sony PVMX2400 HDR Monitor
The PVM-X2400 is a 24-inch 4K HDR high grade picture monitor, incorporating a Sony-specified premium LCD panel that offers 1000 cd/m2 luminance and colour matching with the BVM-HX310 4K HDR master monitor. This makes group monitoring easy for on-set, studio and truck applications, and in 19” EIA racks for editing, audio mixing etc.
Sony’s acclaimed TRIMASTER architecture delivers accurate picture reproduction, precise imaging and quality picture consistency. There are many advantages in the panel control and signal processing system such as fast processing, accurate linearizing of an input signal with Optical Electrical Transfer Function, accurate colour reproduction, etc.
Dynamic Contrast Drive is a new backlight control system that dynamically changes the panel’s backlight luminance to adapt to changing content enabling you to confirm the total balance of highlights and low lights at a glance. The feature can be used to reproduce black representation in dark content, such as night scenes and provide specular highlights in bright content such as snow field and summer beach scenes. The Dynamic Contrast Drive feature provides a dynamic contrast ratio of 1,000,000:1.
Due to the inherent nature of LCD panels, some backlight leakage is unavoidable. To compensate, Black Detail Mode High/Mid/Low facilitates more accurate monitoring of black detail in dark, low- APL (average picture level) images. The backlight level is reduced but gamma is maintained for correct colour and grey scale. High luminance areas may be clipped due to the dynamic range of the monitor. Any clipped portions can be displayed as clipped or highlighted by a zebra pattern.
Color-matched 4K HDR picture monitors color with the BVM-HX310
Dynamic Contrast Drive and Black Detail High/Mid/Low
Inputs for 12G-SDI and Quad-Link 3G-SDI to HD-SDI as well as HDMI
Unique Quad View display with User 3D LUT
Product Manual