Vision
Showing 10–18 of 39 results
Ereca Camracer 8k
The Camracer is a complete optical fiber transmission solution for camera connections on Outside Broadcast, Studio and Cinema applications. It is composed of a camera-dockable transmitter, agnostic to any type or brand of Camera and a 1RU basestation receiver.
Features:
- With two 3G-SDI channels, the CAM RACER can fit any camera from simple ENG to 3G professional sport devices making it suitable for any environment and ideal for rentals.
- CAM RACER delivers 140 Watts to the camera. An automatic battery backup will help the remote powering system if more power is needed suddenly.
- Signals control and Setup is done through internal web server. Most signals are also reported on LED display of each unit. An Oled display gives direct access to optical receiving levels and server IP address.
- An internal audio mixer allows user to mix between talkback, programs inputs and local audio channels for Eng and Reporter headsets.
- Camera control channel supports: Ethernet, RS422 Serial, Canon RC-V100 protocol (Enhanced Lanc).
- Camera synchronization supports: Two composite video signals and one timecode.
Panasonic AW-RP150G Controller
Тhе Раnаѕоnіс АW-RР150 Тоuсhѕсrееn Rеmоtе Саmеrа Соntrоllеr fеаturеѕ а оnе-hаnd ореrаtіоn јоуѕtісk (соntrоllіng Раn, Тіlt аnd Zооm оr Fосuѕ) аnd а lаrgе 7-іnсh tоuсh-раnеl LСD ѕсrееn реrfесt fоr mоnіtоrіng, mеnu ѕеttіng, uѕеr buttоnѕ аnd ѕtаtuѕ іnfоrmаtіоn. Раnаѕоnіс hаѕ іnсludеd а 3G-ЅDІ іnрut thаt аllоwѕ fоr ѕіmultаnеоuѕ ехtеrnаl mоnіtоrіng аnd аllоwѕ fоr quісk ассеѕѕ tо thе tоuсh раnеl whісh саn thеn bе uѕеd fоr ѕресіfіс ѕеttіngѕ. Тhе unіt саn аlѕо bе роwеrеd wіth РоЕ+, еlіmіnаtіng thе nееd fоr аddіtіоnаl роwеr ѕuррlу саblіng.
Features:
- Large touchscreen for easy usability
- New joystick for one-handed operation
- Simplified PTZ camera presets and tracing memory
- Intuitive design elements based on direct feedback from everyday robotic camera operators
- 3G-SDI Active Through Output, 5 x RS-422, LAN PoE+, 2 x GPIOs
Sony MSU-3500 Master Setup Unit
The MSU-3500 master setup unit allows intuitive control and maintenance for the connected Sony HDC series system cameras.
Sharing the same compact vertical form factor and familiar ergonomics as the MSU-1500, the MSU-3500 fits a 9.5-inch EIA rack (half rack mount size). It can control multiple camera systems via either 1000Base-T LAN, or a single camera by direct peer-to-peer connection via Sony CCA cable.
Features:
- Flexible, scalable system configuration
- Customizable Switches
- USB flash drive
- New LCD touchpanel
- High-speed LAN connection
- Web UI application
- Status indication
Sony RM-IP500 Remote Controller
The Sony RM-IP500/1 Professional Remote Controller for Select Sony PTZ Cameras provides control of Sony BRC-X1000/1, BRC-H800/1, BRC-H900 and SRG-360SHE PTZ cameras. This compact unit incorporates a joystick for pan, tilt, and zoom control, and it has the capability of controlling up to 100 separate cameras over IP. In addition to the joystick, the controller features dedicated knobs and control buttons that allow you to bypass the camera's menu systems to access frequently used functions.
Features:
- High-quality control of PTZ functions
- Control up to 100 BRC/SRG Series and ILME-FR7 cameras via IP
- Trace Memory
- Up to 5 controllers can operate on a single network
- Additional ability to use VISCA control
- Selectable ASSIGN items
- Simple set-up
Specifications:
- Pair with ILME-FR7
- Store and recall camera presets
- Tally indicator
- Adjust camera paint functions
Canon DP-V2411 HDR Monitor
The Canon DP-V2411 24" 4K Reference Display features image quality and tool sets designed to aid your HDR productions. The monitor, with its 4096 x 2160 native resolution, is suitable for colorists, cinematographers, and DITs as it is at home on SDR productions, with its standard 100 cd/m² brightness levels, as well as HDR productions with its peak 1000 cd/m² brightness. It supports 12G-SDI and has four BNC inputs and four BNC loopthrough outputs, as well as an HDMI input. The monitor displays a 4K image from any one of its inputs, or you can create a dual view from a single input. You can also input an 8K image over the four 12G-SDI inputs, which the monitor will scale to 4K for display.
The wide viewing area and anti-glare coating provide an image that can be viewed in less-than-ideal conditions and from off-axis without significantly compromising the image's contrast. The monitor supports ITU-R BT.709 as well as BT.2020. A LAN interface allows you to control the monitor's settings remotely. The monitor keeps cool using a fan and its aluminum frame as a heat sink. A built-in mode allows the monitor to automatically turn off its internal fan when a compatible camera is connected to the monitor and the camera is recording, which makes the monitor suitable for on-set as well as post-production work.
Canon DP-V1830 HDR Monitor
Maintain a consistent reference throughout production and postproduction as you shoot and/or monitor 4K with this 18.4" Canon DP-V1830 UHD 4K Reference Display rack-mountable monitor, which can also be used as a portable studio or location monitor. This reference display is ideal for broadcast and cine-style video productions that monitor in up to 4K. The monitor supports 12G-SDI and has 4 x BNC inputs and 4 x BNC loop through outputs as well as 1 x HDMI input. It features a panel with a native resolution of 3840 x 2160 that displays UHD 4K natively, while providing two options for displaying 4K DCI. The monitor supports SDR as well as HDR for display and has a nifty SDR/HDR split-screen function, so you can do an on-set compare of your footage.
The LED panel is consistent with other models in the Canon reference display line, which allows you to trust your image will display consistently from monitor to monitor as your production moves through the production/postproduction pipeline. Combining a peak brightness of 1000 cd/m² with Canon's backlight control allows the monitor to reach a contrast ratio of 1,000,000:1 with right un-clipped whites, and deep blacks.
TV Logic LUM-242H Monitor
The LUM-242H is a 24 inch monitor with UHD resolution (3840 x 2160), high luminance up to 1,000cd/㎡, a 10-bit color depth, high contrast ratio of 1,000 : 1 and wide viewing angle. The LUM-242H supports various standard color gamuts including 90% DCI-P3 coverage. It supports 12G-SDI signal with 4 BNC input connectors (2 for 12G-SDI and 2 for 3G-SDI) and an HDMI 2.0 input.
Aja FS-HDR Converter
FS-HDR, a 1RU, rackmount, universal converter/frame synchronizer, is designed specifically to meet the High Dynamic Range (HDR) and Wide Color Gamut (WCG) needs of broadcast, OTT, production, post, and live event AV environments, where real time, low latency processing and color fidelity is required for 4K/UltraHD and 2K/HD workflows. Developed in partnership with Colorfront, the FS-HDR’s HDR/WCG functionality is powered by Colorfront Engine™ proprietary video processing algorithms.
In Single Channel Mode, FS-HDR also serves as a full, 1-Channel up, down, cross-converter for 4K/UltraHD/2K/HD HDR/WCG transformation. In 4-Channel Mode, FS-HDR offers 4 independent channels of 2K/HD HDR/WCG transformations as well as up, down, and cross conversions.
Bon BSM-183H High Bright Monitor
Designed for shooting outdoors and in other brightly lit conditions, the BON BSM-183H 18.5" 3G/SD-SDI & HDMI High Brightness Field Monitor features a 1200 cd/m² daylight-viewable LCD screen. The high brightness preserves contrast and prevents the on-screen image from getting washed out. The 1366 x 768 LED-backlit LCD panel can display SD and HD signals from any of the HDMI, DVI, or analog video inputs. The two 3G-SDI inputs can handle up to 2K resolutions. SDI and analog looped outputs can be used to further route the incoming video. Onboard monitoring tools include waveform, vectorscope, and exposure range check for analyzing incoming video signals and adjusting exposure.
