Cine
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Ronford Baker Moose Grips
These Ronford Baker 'MOOSE' Bars fit onto 15m/m x 60m/m centers or 19m/m x 104m/m center bars for hand holding (with both hands).
Ronford-Baker have utilised over 300 years combined experience within the film & video industries, together with the latest CNC machinery to design and manufacture a selection of high quality accessories for H.D. video cameras.
Chroziel CDM-LP-I Iris Motor
Adjust the aperture of your cine zoom or prime lens using this Lensport Iris Motor from Chrosziel and its universal connectivity. The motor features an integrated 12-pin Hirose connector cable which inserts into your compatible camera's Hirose output port. Both control and power are delivered via this connection and camera-specific broadcast protocol with a torque of 0.5 N-m. Mount the motor on your camera configuration via a 15mm rod clamp and slide it along the rod to accommodate the length of your lens. Two 0.8 MOD gears in different diameters can be switched out to properly attach to your mounted lens.
Once the motor's cable is connected to the corresponding port of your camera, it will automatically calibrate itself and find the end-stops of your lens. If you'd like to use metadata calibration, put the motor into passive mode and turn your lens' aperture ring to confirm the position of T-stop 4 and T-stop 16. The motor can be used in remote control operation via the RCP or WebGUI of your connected camera. It can also be used with auto-iris functionality.
Fuji HZK Duvo 24-300mm Lens
The Fuji 24-300mm lens offers extensive coverage, with 12.5x zoom across 24-300mm as standard. This can be extended by utilizing a built-in expander, which shifts focal length by 1.5x. The result is an even greater 36-450mm range.
Ideal for shoulder-mounted operation and compatible with stabilizing support systems, Duvo 24-300mm is just 270.5mm long and 2.95kg in weight. Portability and ease of use are assured for teams of all sizes, in varied locations within the live environment. Coupled with the range of coverage, operators can seize opportunities near and far, even from limited physical spaces.
While broadcast cameras have traditionally contained smaller sensors, many creatives are now looking to larger formats to deliver a cinematic aesthetic. Duvo 24-300mm offers native Super 35mm sensor coverage, but sensors equivalent to full-frame can be covered via the built-in expander. This function expands the lens’s image circle by 1.5x, maintaining the same optical quality and angle of view.
The optical quality in question is a result of large-diameter aspherical elements and Super ED (extra-low dispersion) lenses within Duvo 24-300mm. Ghosting, lens flare, and various forms of aberration are effectively controlled.
Angénieux EZ-2 15-40mm T2.0 Lens
The EZ-2 15-40mm Cinema Lens Pack from Angenieux includes the PL mount version of the 15 to 40mm EZ-2 zoom lens with both the Super35 and FF/VistaVision rear lens-groups. The lens is fast, T2.0 in Super35 and T3.0 in full-frame/VistaVision. Swapping between the rear lens groups doesn't affect the physical length of the lens, minimum focus distance, or 2.7x zoom ratio. However, the full-frame rear lens group does change the lens from a 15 to 40mm zoom that covers Super35 to a 22 to 60mm zoom that covers the full-frame/VistaVision aperture.
The lens itself has 3 manual lens control rings: focus, iris, and zoom. Each ring features cine-style 0.8 MOD gear teeth, for compatibility with follow focus units and lens control motors. The 114mm front diameter allows you to work with a wide variety of rod supported matte boxes.
Tokina 11-20mm T2.9 Lens
The Tokina Cinema ATX 11-20mm T2.9 Wide-Angle Zoom Lens (PL Mount) features a super-wide field of view and cine-style design elements. It covers Super 35mm image sensors and is a parfocal lens, holding focus throughout zoom moves. The Cinema ATX 11-20mm maintains a constant T2.9 aperture throughout its zoom range, eliminating the need for exposure compensation as you zoom in. Its durable metal housing withstands the rigours of cine production and incorporates 0.8 Mod lens gears for compatibility with FIZ (focus/iris/zoom) control systems.
Fuji HZK Duvo 25-1000m Lens
The HZK DUVO 25-1000mm is a box-type broadcast zoom lens in the dual format, supporting two types of large image sensors. It can be mounted on cameras equipped with the Super 35mm sensor or the even larger sensor equivalent to 35mm full frame. The lens achieves optical performance which exceeds 4K. It also facilitates the use of cinema cameras which is becoming increasingly common in the broadcast industry, offering cinematic visual expressions such as shallow depth-of-field for beautiful bokeh in live coverage of sporting events and music concerts.
Features
- World's highest 40x zoom and world's longest focal length of 1000mm
- Supporting two sensor size; Super35 and Full frame
- Cinematic expressions with beautiful bokeh
- Latest optical image stabilization mechanism
- Breathing Compensation Technology
- Controllable by both broadcast demands and wireless controllers
- Stylish design by black tone and improved portability
Specifications
- Focal length - 25-1000mm (with extender 1.5x 37.5-1,500mm)
- Maximum relative aperture - 1:2.8 (25-465mm) 1:5.0 (1,000mm)
- Minimum object distance - 3.5m
Sony HDC-F5500 4K/HD Camera System
The Sony HDC-F5500 Super 35mm 4K CMOS Camera System is the newest addition to Sony’s camera lineup with global shutter sensor.
The extraordinary performance of this new camera system takes live entertainment production to the next level. Building on the success of Sony’s acclaimed HDC-5500, the Sony HDC-F5500’s Super 35mm 4K CMOS sensor delivers extraordinary clarity, realism and shallow depth of field with every scene, from wide beauty shots to tight close-ups. Numerous workflow enhancements – including IP networking, remote multi-camera operation and in-CCU recording improve the most demanding live entertainment productions including sport, music and drama.
At the heart of this camera system is Sony’s Super 35mm 4K CMOS sensor. Bringing new creative possibilities to live production, the HDC camera series, this large sensor achieves high sensitivity with an impressive signal-to-noise ratio. It’s teamed with proven global shutter technology to capture stable, precise 4K (UHD) images even with fast-moving subjects: ideal for sport and live entertainment productions involving LED displays and laser beams.
Features:
- Direct 4K output without need for dedicated external baseband processor unit
- Optical fibre transmission as standard
- Backwards compatibility with Sony HDC-2000 series
- Display camera number and tally
- Multi-speed slo-motion acquisition
Multi-speed slo-motion
Optional licences enable this camera to capture HD images in high fram-rate (HFR) at 8x, 6x, 4x, 3, and 2x.
Arri Alexa 35 Camera
ALEXA 35 is a 4K Super 35 camera that elevates digital cinematography to unprecedented heights. ARRI’s first new sensorfor 12 years builds on the evolution of the ALEXA family over that period, delivering 2.5 stops more dynamic range, film-like highlight handling, better low light performance, and richer colours.
The new REVEAL Colour Science takes full advantage of the sensor’s image quality and provides a fast, simple workflow, while ARRI Textures enhance in-camera creative control. Easy operation, robust build quality, new electronic accessories, and acomplete new mechanical support system round out the ALEXA 35 platform.
Sony ILME-FX3 Camera
The Sony Alpha FX3 ILME-FX3 is a compact and lightweight Cinema Line camera designed for professional use. It features a 4K full-frame back-illuminated CMOS Exmor R sensor with a 15+ stop dynamic range and ISO expandable up to 409600 for low light conditions. It also offers cinematic expressions with 16-bit RAW, S-Log3, and S-Cinetone picture profiles. The camera is designed for solo-shooting with its 715g weight and includes a fast, precise, and customizable autofocus system. It also has a rugged magnesium body and heat dissipation system for reliable and uninterrupted 4K 60p recording.
The FX3 has recently released a firmware update version 5.00 which allows for direct uploading of camera images to the Creators Cloud app and displays the Wi-Fi signal strength. It also fixes various issues and improves the exposure stability and operational stability of the camera. The FX3 is designed for the future of cinematic expressions and can be paired with UWP-D wireless audio for crisp and dependable audio. Its full-frame image sensor and wide dynamic range allow for stunning bokeh and full-frame creativity, while its S-Cinetone color profile provides rich colors and natural skin tones. The camera also offers 4K 120fps recording and 10-bit S-Log3 and HDR recording for smooth gradations.
