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Tiffen Black Pro-Mist Filter 5.65 1/4″
Tiffen Black Pro-Mist Filter 5.65 1/4″
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Sony HDC-F5500 4K/HD Camera System
The Sony HDC-F5500 Super 35mm 4K CMOS Camera System is the newest addition to Sony’s camera lineup with global shutter sensor.
The extraordinary performance of this new camera system takes live entertainment production to the next level. Building on the success of Sony’s acclaimed HDC-5500, the Sony HDC-F5500’s Super 35mm 4K CMOS sensor delivers extraordinary clarity, realism and shallow depth of field with every scene, from wide beauty shots to tight close-ups. Numerous workflow enhancements – including IP networking, remote multi-camera operation and in-CCU recording improve the most demanding live entertainment productions including sport, music and drama.
At the heart of this camera system is Sony’s Super 35mm 4K CMOS sensor. Bringing new creative possibilities to live production, the HDC camera series, this large sensor achieves high sensitivity with an impressive signal-to-noise ratio. It’s teamed with proven global shutter technology to capture stable, precise 4K (UHD) images even with fast-moving subjects: ideal for sport and live entertainment productions involving LED displays and laser beams.
Features:
- Direct 4K output without need for dedicated external baseband processor unit
- Optical fibre transmission as standard
- Backwards compatibility with Sony HDC-2000 series
- Display camera number and tally
- Multi-speed slo-motion acquisition
Multi-speed slo-motion
Optional licences enable this camera to capture HD images in high fram-rate (HFR) at 8x, 6x, 4x, 3, and 2x.
Chroziel CDM-LP-I Iris Motor
Adjust the aperture of your cine zoom or prime lens using this Lensport Iris Motor from Chrosziel and its universal connectivity. The motor features an integrated 12-pin Hirose connector cable which inserts into your compatible camera's Hirose output port. Both control and power are delivered via this connection and camera-specific broadcast protocol with a torque of 0.5 N-m. Mount the motor on your camera configuration via a 15mm rod clamp and slide it along the rod to accommodate the length of your lens. Two 0.8 MOD gears in different diameters can be switched out to properly attach to your mounted lens.
Once the motor's cable is connected to the corresponding port of your camera, it will automatically calibrate itself and find the end-stops of your lens. If you'd like to use metadata calibration, put the motor into passive mode and turn your lens' aperture ring to confirm the position of T-stop 4 and T-stop 16. The motor can be used in remote control operation via the RCP or WebGUI of your connected camera. It can also be used with auto-iris functionality.
Sony Venice-2 6K Digital Cine Camera
Featuring internal recording onto a high-speed ASX card, internal recording formats up to ProRes 4K 4444 and 422, an interchangeable sensor, and updated usability and body design, the 6K Sony VENICE 2 Digital Motion Picture Camera is a step up for DPs, camera assistants, colorists, VR, and VFX departments thanks to its high-resolution capture and filmlike imagery.
Features:
- 36x24mm Full-Frame Sensor for Cinema
- Full-Frame full width 36 mm 8K and 6K
- Super35 Anamorphic desqueeze
- Super35 17:9 and 16:9
- Phenomenal Latitude
- More Colours for More Expression
- High Frame Rate
- Fast Shutter
- Interchangeable Image Sensors
Specifications:
- VENICE Extension System 2
- Colour fidelity of In-Camera VFX
- Internal 16-bit X-OCN and 4K ProRes Recording in a Compact body
- PL Lens Mount - Lever Lock Type E-mount
- 8-step Mechanical ND Filters
Bright Tangerine Misfit Matte Box
Capture your perfect shot with the Misfit Kick 360 Mk II matte box. This versatile kit allows for 360-degree rotation and is compatible with a variety of filters and lenses. Whether you need to reduce glare, add a polariser, or control flares, the Misfit Kick 360 Mk II has you covered.
The matte box offers maximum coverage for cine-servo lenses and can support trays and filters up to 5.65x5.65″. With the added Torsion Plate, vibrations are effectively absorbed, providing enhanced handling and performance. Plus, with the Frame Safe clamp adapters, the Misfit Kick 360 Mk II can adapt to any lens, making it a must-have for any filmmaker.
