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Arri LCUBE CUB-2
Adapts servo-zoom lenses (Hirose 12 pin) to LBUS (Lemo 4 pin). Enables Master Grips to directly control focus, iris and zoom of a servo-zoom lens. Provides a switch to select between iris control from camera (auto-iris via camera Hirose 12 pin interface) or Master Grips (via LBUS). The LCUBE has an integrated dovetail for mounting the LCUBE Bracket (K2.0009620) or the CLM-5/cforce mini Clamp Console 19/15 mm (K2.0006176).
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Sony FR7 Cinema Line PTZ Camera
А РТZ саmеrа unlіkе аnу оthеr, thе Ѕоnу ІLМЕ-FR7 Сіnеmа Lіnе РТZ саmеrа саn іntеrсhаngе wіth Е-mоunt lеnѕеѕ tо асhіеvе trulу сіnеmаtіс rеѕultѕ. Соuрlеd wіth а full-frаmе іmаgе ѕеnѕоr thаt саn сарturе 4К120fрѕ fооtаgе, іt іѕ nоw роѕѕіblе tо mаtсh ѕhаllоw dерthѕ оf fіеld wіth thе сrеаtіvе роѕіtіоnіng оf а РТZ саmеrа. Wіth ѕuреrb соmраtіbіlіtу аnd соnnесtіvіtу, thе FR7 іѕ а trulу hіgh-еnd саmеrа.
Features:
- Advanced technology for cinematic expression
- Remote control for creative camera placement
- Connecting to external devices
- IP streaming made easy
- Support for multiple protocols to meet your streaming needs
- Innovative remote control
- Cinema Line image quality
- Capture the scene from any angle
Specifications:
- Limitless creativity with E-mount lenses
- A full-featured dedicated Web App
- Smooth pan, tilt and zoom operation
- Can be paired High-performance remote controller RM-IP500
- Professional control via S700PTP protocol
- Further specs Sony FR7 specifications
Bright Tangerine Misfit Matte Box
Capture your perfect shot with the Misfit Kick 360 Mk II matte box. This versatile kit allows for 360-degree rotation and is compatible with a variety of filters and lenses. Whether you need to reduce glare, add a polariser, or control flares, the Misfit Kick 360 Mk II has you covered.
The matte box offers maximum coverage for cine-servo lenses and can support trays and filters up to 5.65x5.65″. With the added Torsion Plate, vibrations are effectively absorbed, providing enhanced handling and performance. Plus, with the Frame Safe clamp adapters, the Misfit Kick 360 Mk II can adapt to any lens, making it a must-have for any filmmaker.
Fujinon Cabrio 85-300mm PL Lens
Fujinon PL 85-300 Cabrio (ZK3.5x85-SA) features an exclusive detachable servo drive unit, making it suitable for use as a standard PL lens or as an ENG-Style lens. The ZK3.5x85 also features flange focal distance adjustment, macro function, and is LDS (Lens Data System) and /i metadata compatible. Despite the impressive 85-300mm focal range the weight its weight is only 3.0kg including servo motors.
Videographers used to shooting video in a typical ENG-style will be very comfortable with the servo. Cinematographers will also be right at home with this lens. With the detachable drive removed, the lens is set to accept industry standard cine motors and matte boxes. Plus, the lens has all the lens data output that appeals to a Cine-style shooter. LDS and /i metadata compatibility is very useful when you want to record the position information of zoom, iris and focus for computer animation and other uses.
Angénieux EZ-2 15-40mm T2.0 Lens
The EZ-2 15-40mm Cinema Lens Pack from Angenieux includes the PL mount version of the 15 to 40mm EZ-2 zoom lens with both the Super35 and FF/VistaVision rear lens-groups. The lens is fast, T2.0 in Super35 and T3.0 in full-frame/VistaVision. Swapping between the rear lens groups doesn't affect the physical length of the lens, minimum focus distance, or 2.7x zoom ratio. However, the full-frame rear lens group does change the lens from a 15 to 40mm zoom that covers Super35 to a 22 to 60mm zoom that covers the full-frame/VistaVision aperture.
The lens itself has 3 manual lens control rings: focus, iris, and zoom. Each ring features cine-style 0.8 MOD gear teeth, for compatibility with follow focus units and lens control motors. The 114mm front diameter allows you to work with a wide variety of rod supported matte boxes.
